More Odds and Ends

I keep reading about a fairly new book distribution service (long discussion on Kboard, which used to be KindleBoards). Draft2Digital is inevitably compared with Smashwords, and not to Smashwords’ benefit. Since I’ve grown increasingly unhappy with Smashwords, I’ve taken the first step toward reducing my use to the site itself, closing all the distribution channels. It’s reached the point where the only value Smashwords has for me is the ability to use coupons. It’s been months since I’ve had a sale on any of the distributors’ sites, and sales on SW are just a trickle.

I’m not going to go into the details of why D2D seems to be a good move. A lot of people on Kboards are very happy with it, and there’s an excellent FAQ and plenty of information right on the site. I’ll just say that it pays monthly instead of quarterly, with a $10.00 minimum for digital payments, and you don’t have to jump through a lot of hoops to get a decent ebook published.

Also, after all the back and forthing, I’m working on A Perfect Slave, cutting it down as far as possible. It will still be close to 50,000 words, but at least it won’t go over it. I’m not attempting to make it the final draft; that will come once I have the fat sliced away. I plan to start posting the chapters on Live Journal this week, since that’s always been a valuable source of critiques. It usually helps with sales, too. Ten chapters are done, so only eight or nine to go.

Article writing is on hold for the time being. Editing a novel while battling near-constant headaches is about all I can handle. I hope this headache cycle will end soon, since hay fever season is already here, and summer heat will sooner or later be another battle that I can never win, even with a window AC.

Checkin’ in

Just odds and ends. Editing on A Perfect Slave is going well, and I’m beginning to get a glimmer of an idea for the cover. I have seven articles up on Wizzley, and that’s just about all the actual writing I’m doing. I’m finding Wizzley a nice site for getting to know people interested in some of the same topics I am. The forums are set up for casual conversation as well as the usual information and “help me” stuff, so I’m glad I dropped Squidoo in its favor.

I hope to have Perfect Slave ready for May publication, and it’s probably going to be one more bit of pressure to stay with the hand slaves universe, which sells better than anything else I’ve written. Hidden Boundaries has sold over 200 copies now, but since June will be two years since I first posted it on Smashwords, that isn’t exactly spectacular. It’s still encouraging because sales may be very slow, but I can see that if I get more work published, I can probably expect small increases in my income from writing.

I’ve been thinking about ways to expand the scope of Dark Fiction, my website, and make it more interesting. I have a section for free reads, with only one story so far, but I’m going to take a look at some of my undeveloped story ideas and see if some of them would be suitable for flash fiction, under 5,000 words.

Another idea that I haven’t gone deeply into yet, is a section to promote other dark fiction writers. That means psychologically dark, not horror, paranormal, etc. I’d thought about doing something like that here, but it doesn’t really fit. The only writer I know of with the requisite quality that I’d be willing to promote, and an oeuvre large enough to make it worthwhile for readers to explore is Dusk Peterson. There may be some more rattling around in the back of my head, but if any of you have some suggestions, I’d be glad to consider them. I want to focus on writers who don’t fit in the mainstream and who deserve a larger readership than they’re getting.

NaNoWriMo is definitely not on my schedule this year. 2013 is for finishing WIPs, not starting a major new one.

Finding the Hook — One Small Change

They say every opening needs a hook. And sometimes it’s tough to find that hook. Take this opening for The New Serfdom.

“For just a moment, it’s a scene frozen in time — a diorama — like the pictures of museum displays that I’d seen in Nolan’s books when we were kids. Overhead is a clear blue sky without a single cloud, not the usual weather for this time of year. The condemned man is kneeling on the ground, his hands bound behind him, a guard on each side, close enough to prevent any attempt to get up and run. Off to one side, the remaining six lifers are standing with their own guards, silent witnesses to the execution of one of their own. Behind them stands a cluster of senior cadets, nervous and trying not to show it. I can’t blame them for being nervous; this is a first for all of us, and it isn’t going to be easy, not for anyone.”

That’s pretty much the original version except for a few small edits. I liked the idea of a diorama, and there’s really nothing wrong with it. But it lacks something because a diorama is static by nature, and then it’s immediately followed by the dreaded description of the weather. What to do? How about –

“The condemned man was kneeling on the ground, his hands bound behind him, a guard on each side, close enough to prevent any attempt to get up and run. For just a moment, it was a scene frozen in time — a diorama — like the pictures of museum displays that I’d seen in Nolan’s books when we were kids. Overhead was a clear blue sky without a single cloud, unusual weather for this time of year. Off to one side, the remaining six lifers were flanked by their guards, silent witnesses to the execution of one of their own. Behind them was a cluster of senior cadets, nervous and trying not to show it. I couldn’t blame them for being nervous; this was a first for all of us, and it wasn’t going to be easy, not for anyone.”

It makes more sense to say it was a scene frozen in time when we already know a little bit about the scene. Still to come is an explanation of the weather (blue sky and shirtsleeve weather in mid-winter). It should be easy, but it’s not important enough to drag it out, so I’m working out how to say it in the fewest possible words.

Editing isn’t just about getting the spelling, grammar and word choice right.

Why it’s a Miracle that I Ever Finish Anything

I’m halfway through the final edit of Gift of the Ancien and have been opening it every day for a week or more, and closing it again without even looking at it. It’s time to face reality. I can’t stand the sight of that book right now, and there’s no point driving myself crazy with it. So it’s back to The Warden for a while.

I’ve done four chapters so far today, and even though I don’t expect to finish this draft before November rolls around, it feels good to be working on it again. Enough time has elapsed since I last tackled it, that I have a much clearer vision of what changes need to be made and how to write the ending. Getting far, far away for a while really does make a huge difference.

As usual, a lot of what it needs is fleshing out, more detail, and replacing words that just lie there on the page with words that actually do something. “Looks” gives way to “glares,” “gazes,” “stares,” or whatever will help convey a relevant emotion. Maybe it’s just old age creeping up, but sometimes I feel as if my vocabulary is deteriorating. The thesaurus is my helping hand. Not to find five-dollar words, but to remind me of alternates that my memory can’t seem to dredge up.

39 days more and I’ll have one more WIP to add to the pile.

Editing During NaNoWriMo?

I know. I know. NaNo is supposed to be for churning out 50,000 words without worrying about spelling, punctuation, and all the other little details, including plot. If you’re just doing it for the fun or to meet a friend’s challenge, that’s the way to go. As the book says, No Plot, No Problem. The problem is the image of careless writing that’s become a significant source of criticisms of National Novel Writing Month.

I’ll say this just once. If you’re serious about writing fiction, NaNo is a great way to get started. If you’ve already started, NaNo is a great way to focus intensely on just one thing and turn out a fairly decent piece of work in a short time. How you use NaNo is up to you. There’s no rule saying you have to write a pile of crap or that a pile of crap is the only possible outcome. No matter what the critics (who’ve usually never tried it) have to say.

To edit or not to edit. That is the question. Another of those imaginary rules is that you mustn’t edit during NaNo. If this is your first time, it’s probably good advice. You need to keep your eye on your word count and your story, and you don’t need the distraction of trying to edit something that’s still in progress, and that you’re feeling insecure about already. Race for the finish line and don’t let anything get in your way.

But . . . editing is permissible, and can be a good thing. Done properly, it can increase your word count. The reread alone, even if you don’t do much editing, can give you a bird’s-eye view (as opposed to the daily ant-level crawl) and let you see more clearly where you’re going and what the next day’s work might be. If you plan to publish your finished novel, editing during NaNo can give you a cleaner first draft to work with.

But how do you squeeze editing in when you’re already struggling to keep up that word count? The first thing to understand is that the brain needs to rest. Unless you’re in a white-hot flush of inspiration, you’ll benefit by not trying to write during every waking hour. And even inspiration flags eventually. When that burned out feeling tells me I’ve reached my limit for the day, that’s it. I may get a second wind later and write a little more, but as long as I’ve done a good day’s work, I’m not going to kill myself. NaNo is supposed to be fun!

Give yourself some space — rest, eat, read, or watch TV, then use part of that rest time to do some light editing. This isn’t the time to agonize over the perfect word, but you’d be surprised how many little things will pop up that are easy to fix. A little more description where that would pump up a scene. Carry a discussion out a bit further. Tweak a sentence so it reads more smoothly. Fix the punctuation. Fill in or make a note of a plot hole. All it takes is a quick readthrough and a bunch of small improvements to bring the finished first draft a little closer to something you can read without wondering how you managed to make such a mess.

An Odds and Ends Day

Re: Creatively Disrespectful. I don’t want to badger people here every time I post something new, so the link is now in the sidebar. I’ve also added a sign-up box for email subscriptions.

I’ve finally made it to chapter 13 in Gift edits. Less than halfway through, but I think the editing doldrums are over — for now.

Still obsessing over The New Serfdom. Ideas pop up at the most inconvenient times, so I’ve been making notes every day. I’m supposed to be at work on Empire of Masks, my choice for this year’s NaNo, but nothing is happening there. And — horror! — New Serfdom has just put itself forward as a candidate for Nano instead of Empire. Nooo! I want an easy, relaxing NaNo this year, and Empire will make a very nice novella of 50,000 words. New Serfdom wants to be a monster of a book. Besides, I can’t see it being anywhere near ready to be written by the time November rolls around. That’s only three months away. No can do. No. Never.

I’m giving some thought to adding another link list to the left sidebar — tools for Mac users. I don’t know if many of my readers use Macs, but it might be helpful to those who do. There are amazing apps out there, and many of them are free or cheap. I don’t have the money for big fancy programs, so over time, I’ve accumulated a fairly decent bunch that don’t break the bank.

Weekend Notes

A quote worth taking note of in a Smashwords interview with writer Jonathan Maberry. “

“I count myself fortunate in that I studied journalism rather than creative writing. Journalists learn good writing habits. Journalists don’t mythologize the process of writing. They research, they write, they revise, they submit, and they move on to the next thing. One of the first things I learned in journalism class is that writer’s block is largely a myth. It’s the end result of have no practical writing process.”

In other news –

Editing for Gift of the Ancien is still slogging along. Only nine chapters to go, but today feels as if it’s going to be a no-accomplishment day. The book is improving greatly, so I hope the delay will seem worthwhile. I’ve also worked out a compromise between Amazon exclusivity and letting folks buy the book from Smashwords without having to wait three months. Because, yes, I do intend to go with Select as an experiment. But I won’t renew it, no matter the results.

The Weebly website is coming along nicely. I’m following the general layout from Dark Boundaries, but have changed the title, will be adding a header, and doing other tweaks that WordPress doesn’t allow for. I wasn’t going to include a blog, but realized that’s it’s the most sensible format for a “What’s New” page. I’ll probably change the theme I started with, and scrounging around with that intention, I discovered a nice feature. As you look through the themes, you can mark favorites, so it’s easy to find them whenever you want to change again. wp.com ought to add that.

There was an interesting discussion on Kindle Boards about using Weebly for a writer’s website. http://www.kindleboards.com/index.php?topic=120105.0 There were lots of pros and cons, of course, with one or two people coming down pretty heavily for self-hosted sites, particularly using wordpress.org. The main reason given for that was better SEO (Search Engine Optimization), but I found that Weebly allows descriptions and tags for each page, so that would seem to counter the idea that this type of site would be a marketing handicap. I’m not big on the technicalities of search engines, so there may be other factors involved.

Little Odds and Ends

Making changes here and there. Finally got around to putting the cover and link for Darkest Prison in the sidebar.

Also changed the blog’s tagline. I don’t suppose many people will even notice it, but I’ve been trying to figure out a tagline that better fits what I’m doing here and elsewhere. I’m planning a series of short ebooks on writing, using material taken from the blog. The tag for the series will be The Maverick Writer, so this is one step in that direction. I’d been reading and thinking about branding (ugly term) and platforms, and came across this blog post: How to Come Up With a Tagline for Yourself. Since then, the idea has been rolling around in the back of my mind, and birthed itself yesterday.

I’ve been making notes for a post that isn’t high priority, but is demanding to be written. It’s about the end of my love affair with Smashwords. I’m not quitting Smashwords, but I’m finding more and more reasons to pull back. I made the first-publication switch, drinking the Kindle Kool Aid (as some people would put it), and found that it was a smart move. But my disenchantment with Smashwords involves more than sales, so it’s taking a while to think it all out so that it makes sense.

Gift of the Ancien is coming along by fits and starts. Some days, I can tear through two or three chapters, and then there are chapters that refuse to give an inch. I’ve been wrestling with Chapter 13 for two days now and it still isn’t finished. I’ve found that there’s a pattern to problem chapters. They’re almost always transitional. The situation is changing, usually drastically, and a lot is going on that doesn’t lend itself to being nicely organized and rounded off.  Chapter 13 is one of those, but I will persevere, and I will defeat it.

In the process of expanding the scope of the novel, I’ve realized that when it’s finished, a sequel will be almost inevitable. I actually have another story about the Ancien partially written, as a standalone, but it stalled because I wasn’t happy with it. Now I can see how to revise it and link it properly to the first novel. There’s really a lot to be said for being a lazy slow writer. Stories need time to develop, to accumulate the details that make them richer and more interesting for readers.

NaNo Variations

The original intent of this blog, and its title, was to follow my writing round the year, from one National Novel Writing Month to the next. Of course, most of what I post isn’t NaNo-specific, but the thirty days of madness are always here in spirit, humming along in the background. For no apparent reason, “NaNo Variations” popped into my head and I started  thinking about how much variation there has been between the November race to get a novel written, and the time it takes to finish, polish, and publish. Or maybe the reason is that I’m about to make another stab at finishing my 2010 novel.

There is no one correct time frame for starting the first edits after NaNo is over. Newcomers ask how long they should wait, and the answers vary with the experience of the people giving those answers. My guess is that the more aware you are, as you write, of the weaknesses and problems, the more likely it is that you’ll be able to march right back in in December and start the second draft. Also, seeing the solutions, as you write, means that the second draft will be that much easier.

And that brings up an interesting idea that I’ve never seen anyone mention — making notes for the second draft. There’s plenty of pro and con, back and forth, about editing during NaNo, with warnings not to do it because it will slow you down, will discourage you by raising doubts about the value of what you’re writing, will deprive you of gobs of words that should be adding to your word count.  The other side of the argument is that editing can be done after the day’s creative burnout, and that it can add significantly to word count, especially if you’re a bare bones kind of writer.

What’s of most value about editing while in the throes of NaNo is that you’ll come out of it that much ahead when you start a second draft. Notes can serve the same function, especially if you can’t or choose not to edit while writing the first draft. “Why is protag #1 saying that? It doesn’t fit his personality?” “Oops, there’s a big plot hole here. How do I fix it?” “Check to see if there’s a continuity problem in this scene.” “How the heck do I get my hero out of this mess?” You think you’re going to remember all that later, but the chances are you won’t. Instead, you’ll be looking at a confusing mess that seems impossible to get through.

I wrote, completed, and published Privileged Lives (2011) in just over three months. I was able to do this because I had 1. gone back almost every day of NaNo and done some light editing. 2. Because I had been actively working on it for almost an entire year before that, working out the plot, getting to know the characters, etc. No, I didn’t make any notes as I wrote the novel, because it hadn’t occurred to me then. But if I was a pantser instead of a planner, ongoing notes would have been invaluable.

What’s the timeline been for the two previous novels? Gift of Blood (2009), now renamed, has been read and reread, edited, rearranged, added to, and still isn’t finished. It was my first novel, and it’s been the beneficiary, over the last two years, of everything I’ve learned about writing since then. The Warden (2010) has also been the beneficiary of what I’ve learned. It’s also been reworked a great deal, but not finished. Part of the delay has been the  main protagonist’s fault. He has to discover what he really wants out of life, and when he finds out, he has to choose between several alternatives. Who am I to force him to make a choice?

How long does it take to finish and publish a novel? For me, so far, anywhere from three months to going on two and a half years. Your results will vary.

The Post with no Name – apparently

I’m often frustrated when I start working on a story and run out of steam before I can finish it. I look at the long list of WIPs and wonder if I’m doomed to be the world champion non-finisher. But I’m slowly adjusting to the idea that not going from start to finish in one long leap can be a good thing. The little vacation I’m taking from The Warden (again) isn’t going to waste. Just the opposite.

I started The Scribe — oh, my god! — exactly two years ago next week. I had no idea I’ve been poking at it so long. The story presented me with two problems. It’s an “autobiography” of an ex-slave whose training was brutal by any civilized standards. So  I had to decide how much detail was enough to convey what he went through, without crossing the line where such material is often nothing more than a way to titillate readers. The second problem was point of view. The first half of the story was his life as a slave. No problem there because it’s all from his point of view. But the second half brings in two people who are important to him when he becomes free and starts a new life.

I wanted to open up the story to other points of view and get away from pure exposition. The plan was to alternate between the characters: Shand, the ex-slave, and the two women who enter his life, Rima and Lilian. Each segment would be first person POV. But I wanted to bring in material that would require an omniscient narrator, so I set those up as “scenes.” And that’s where I got stuck. Because an omniscient narrator just didn’t work. What to do? What to do? So I did the only possible thing. I set it aside and went to work on other pieces.

But I’m back at it, and realizing (again) just how much learning can happen over two years. This story is going to suffer from an omniscient narrator. Get rid of it! It’s ridiculously easy (ignoring how fussy it is to do) to convert all the omniscient scenes to first person. So the omniscient busybody is disappearing, chapter by chapter. Good riddance.

Even better, as I convert scenes to first person, I’m getting back into the protagonists’ feelings and realizing that, like so much of my early work, this was a weak area. Exposition comes easily to me; the description of emotions . . . Let’s not get into that. It’s still a sore point and one that I have to work at, consciously. But I’m improving.

So, The Scribe, which is no longer The Scribe, but A Perfect Slave, or maybe The Story of a Perfect Slave, will be a much better book than it would have been if I’d finished it even a year ago. As a counterpoint to all those well-meaning people who advise throwing away your early efforts rather than waste time trying to make them better, I say, don’t throw them away before taking a good look at them first. If it’s a crappy idea, yes, trash it. If it’s a good idea, but you weren’t a good enough writer to do it justice back then, look at it with new eyes. This might finally be the right time.

The Temperamental Writer

Where most people think about the drafts beyond the first one in terms of revising and editing, I think in terms of growing and refining. Does it help, psychologically, to think about writing a novel or story as an organic process? For me, it does. It seems to be my natural way of getting from first draft to last. Maybe that’s why I always have an instant negative reaction to advice that breaks writing down into a method with prescribed steps. But I acknowledge that it’s probably a question of temperament. You revise. I grow and prune. You edit. I refine.

Finishing requires that you find your own way.

One, Two, Three — Many Learning Curves

I just came from a PM chat where we were talking about the woes of revising and editing, and I had a revelation. Okay, maybe not a Revelation, but an insight. So many people have a real problem with that part of writing, and it occurred to me that maybe the real problem for some of them is that they don’t see the revising and editing as part of the writing. They see it as an entirely separate thing, and that separate thing is a chore, because it’s supposedly all about correcting mistakes according to a set of rules.

Or maybe they don’t see writing as a learning process. They write a book, take a good look at it and say “My bad,” throw the book away and write another one. But writing is a learning process, and it can probably go on forever. You get better and better at it, but it’s never quite as good as you hoped it would be (unless you have an out-of-control ego), and that’s a good thing. Because there’s no such thing as perfection. If you write a bad or mediocre book and refuse to look at it again, you’re not going to learn anything from it. You think the next one will be better, but it won’t, because you didn’t learn a damned thing from writing the first one.

There are days when I’m ready to throw in the towel with a third or fourth draft. I’ve worked so hard, and I’m still finding, not just typos, but sentences that don’t sing, plot points that are as clear as mud, too many repetitions of the same word in a sentence or paragraph . . . The potential for finding and correcting problems seems infinite. And I say this after having written three complete novels and two more that are almost finished. Question: Where does it end? Answer: It doesn’t.

Revising and editing isn’t just about making this novel better. It’s also about making the next novel better, the one you haven’t written yet. And maybe that’s the most important part of it–making the next one better. Think of revising and editing as an organic process like growing a plant. It needs to be watered, fertilized–and pruned. None of that is separate from putting the seed in the ground. Think of yourself as a gardener. You can have a black thumb and produce books that can’t survive the light of day because they don’t get any care, or you can have a green thumb and produce books that look better, grow faster, and bloom more beautifully with each generation.

And I can tell you something from my own experience about those frustrating third and fourth drafts. There’s a load of satisfaction to be had in making that book even a tiny bit better than it was before.

 

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